I'm a dancer, teacher, and choreographer. I am trained in classical ballet and graduated from the Royal Conservatory of Dance in Madrid in 2012. Shortly after, I spent a season as an apprentice with Ballet Mainz in Germany, under the direction of Pascal Touzeau. It was an intense and enriching experience.

When I returned to Madrid in 2013, I began exploring contemporary dance. I took workshops with international artists and collaborated with independent companies like caraBdanza, working with choreographers such as Ana Catalina Román. That time was a creative awakening for me—I started experimenting, seeking out new movement languages, and discovering my own voice within dance.

In 2016, I moved to Querétaro, Mexico, to join the Proart project. I taught classical ballet there, choreographed for the youth company, and performed in festivals like Ibérica Contemporánea. I also collaborated with Veozdanza, and we won first place at the Ibérica Contemporánea Dance Competition.

In my last year in Mexico, I felt a strong urge to keep exploring. I joined BODYTRAFFIC’s Spring Workshop in 2017, which opened the door to the U.S. dance scene. From there, I continued training at places like Millennium Dance Complex, Eden Studios, and Steps on Broadway.

In 2018, I came back to Madrid to begin my BA in Choreography and Contemporary Dance Interpretation at the Conservatory María de Ávila. At the same time, I continued freelancing across different projects. One of them was Cartes postales d’un migrant, a piece created in collaboration with musician Pepe Pereira and the company Led Silhouette. The project received first prize in Madrid’s Young Artists Competition.

In 2019, I suffered a knee injury that forced me to pause for six months. It was a tough period, but it also gave me space to reflect and redefine my priorities. After recovering, I decided to move to Mannheim (Germany) and start a new chapter. I joined the Artistic Development Program in Freiburg and worked on the opera Wozzeck at the Staatstheater Karlsruhe—until the pandemic hit.

Despite the challenges of lockdown, I kept creating. I performed solos with Nostostanztheater and my piece States was selected for festivals like Solo Coreografico and Zukunft Tanz in Frankfurt. In October 2020, I made Mannheim my home base, and I’ve been working here ever since as a dancer, teacher, and choreographer.

I've had the chance to collaborate with amazing artists and be an active part of the local dance scene. Since 2023, I’ve been a member of Flux e.V., a professional dance association, and have participated in festivals like Shared Spaces and organized events like Unpolished Wednesdays.

As a teacher, I’ve taught contemporary dance at Dance Professional Mannheim, Aki Kato Tanzstudio, and Eintanzhaus. I also developed PROFCAST, a project funded by Dachverband Tanz Deutschland—guided movement improvisations that offer free training to professional dancers.

After finishing my BA in 2023, I focused on continuing to grow as an artist. Thanks to the support of institutions like Theaterfestival Schwindelfrei, ProFitArt, EinTanzHaus, and Theater Felina-Areal, I’ve been able to keep creating and developing my work.

In recent years, I’ve worked with companies like La Trottier Dance Collective, and from 2024 to 2025 I joined the Volkstheater Rostock as a dancer, choreographer, and teacher.

As a choreographer, I’ve shown my work at festivals such as Lange Nacht der Kurzen Stücke (Karlsruhe) and Zukunft Tanz (Frankfurt). I’ve created site-specific pieces for cultural associations like LionsArt and shorter works like Columnism, which was part of the Perspectives evening at Volkstheater Rostock. The year 2024 has been especially meaningful in my career—I premiered A Harmless Little Show, Columnism, Hänsel & Gretel Re-invented, and Whimsy Wiggle Wonderland. In 2025, I’m continuing with new commissioned projects for Dance Professional Mannheim and Theater Felina-Areal.

In my work, I always try to infuse a specific physicality and aesthetic, along with humor and thoughtful reflection. I like to take creative risks and push myself to stay honest and authentic. I really enjoy collaborative environments, and I do my best to create safe, playful, and open spaces where everyone can contribute to the process.
I´m also diving in the beautiful journey of becoming a dance dramaturg, which already began with collaborations like "Ein Tanz Krimi" of Volkstheater Rostock.